

Here is the Hindu Festivals calendar for the month of April 2010. The calendar includes major festival dates and auspicious days in April. Some of the major festivals which falls in the month of April 2010 . The detailed calendar is given below.
13th April 2010- Baisakhi - Punjabi New Year Festival
14th April 2010-Amavasya – (Chaitra Amavasi or Adhik Vaishakh Amavasya),Chithirai Vishu or Puthandu (Tamil New Year)
Mesha Sankranti 2010 -Maha Vishuba Sankranti – Mahavishuva Samkranti, Goru Bihu
15th April 2010-ishu 2010 Kerala zodiac New Year or Malayalam astronomical New Year,
Bengali New Year – Naba Barsha or Poila Baisakh 2010,
Rongali Bihu or Bohag Bihu 2010 – Assam New Year.
16th April 2010-Gosain Bihu 2010 (Third day of Assamese New Year celebrations),
Chithirai Brahmotsavam Festival at Meenakshi Sundareswarar Temple, Madurai, Tamil Nadu
20th April 2010-Shasti Vratham
21st April 2010-Budhashtami
24th April 2010-Kamala Ekadashi or Padmini Ekadasi 2010,
Thrissur Pooram 2010 – Trichur Pooram
25th April 2010-Ekadashi ,Koodalmanikyam Temple or Kudal Manikkam Temple Festival
26th April 2010-Pradosha Pooja – Soma Pradosh or Chandra Pradosha Puja
28th April 2010-Adhik Vaishaka Purnima,Swathithirunal Jayanti

Sri Vishnu teertha was the first peeThAdhipati of Sode maTha. He was the younger brother of Sri Madhwacharya in poorvAshrama. He is still said to be alive and performing tapasya at the Kumaradri hills near Kukke Subrahmanya. In distant future he is supposed to revive the Tatvavaada philosophy once again, which by then would have become extinct. For this same purpose Sri Madhwacharya is believed to have preserved his sarvamoola granthas on copper plates, and buried them in a place called Kadtila or Setutila. Incidentally, Sri Vishnu teertha is also the founder of Kukke Subrahmanya maTha.
This highly revered shrine is regarded as the miniature form of 'Tirupati' or 'Chinna Tirupathi'. Actually, the temple was named after the great saint 'Dwaraka', who took the initiative to place the idol of Lord Venkateshwara. Dwaraka (Saint) did strict penance on 'Valmikam' (ant hill) to bring the self-manifested idol of Lord Venkateswara to this place. In fact, the village derived its name from the same temple. Sri Venkateshwara is regarded as 'Kaliyuga Vaikuntha Vasa', who is the dispeller of all worldly charms and attractions.
Sanctum Sanctorum
The main shrine encompasses the sanctum sanctorum where the self-manifested deity of Lord Venkateshwara is placed. This idol is visible till the bust and the lower part is regarded as to be immersed in the Earth. The sacred feet of the Lord, are known to be worshipped in 'Patala'. The full-scale idol of Lord Venkateshwara stands at the back of the main image. It is believed to have been placed by Srimad Ramanuja, a great social reformer of the 11th century.
The main idol is the smaller one, which is said to be the benefactor of 'Moksha' (salvation). The full-scale idol represents Dharma (Religion), Artha (Meaning) and Kama (Worldly affairs). The 'Tiru kalyanotsavam' is the major festival that is observed in Dwaraka Tirumala Temple. The festival for the self-manifested idol (small idol) is celebrated in the month of "Vaisakha", while for the installed idol is celebrated in the month of "Aswayuja".
In the temple complex, there are many shrines that are dedicated to different forms of the God. Amongst all of them, Sri Swamyvari Temple, Anjaneya Swamyvari, Sri Garuda Swamivari Temples, Deeparadhana Temple and Alwar Temples are truly worth-visiting. Statues of Sri Tallapaka Annamacharya and Sage 'Dwaraka' inspire the awe of the onlooker with their mastery of sculpture.
Legend
Dwaraka Tirumala Temple is supposed to be an ancient shrine that traces its origin in Kruta Yuga. As per the Brahma Purana, Aja Maharaja (Grandfather of Lord Rama) worshipped Lord Venkateshwara intended for his marriage. On his way to the 'Swayamvaram' of Indumati, he crossed the temple of Dwaraka. However, he didn't stop to pay homage to the Lord. Indumati (Grandmother of Lord Rama) garlanded him, yet he had to face a combat with the Kings. He apprehended that the combat was plunged on him, since he overlooked the temple on the way. On realizing, Aja Maharaja pleaded to Lord Venkateshwara to forgive him and the combat was stopped.
Architecture
The temple has been renovated several times. The splendid structures like Vimana, Mantapa, Gopura and Prakara are accredited to be made by Dharma Appa Raoa (1762-1827). Various golden ornaments and silver vahanas were gifted by Rani Chinnamma Rao (1877-1902) of Mylavaram. The structure of the temple is a magnum opus of South Indian architecture.
The main Rajgopuram (spire) comprises five storeys and faces the southern direction. The other three 'gopurams' are embracing the three other sides of the temple. The Vimana is made out in the Nagara style. The old Mukhamantapa is renovated and extended to go well with the contemporary requirements. The entire spacious complex has been tiled with sandstone. A variety of trees adores the site with their soothing appearance.
The temple has a central pavilion, embracing all the three shrines. This pavilion is further connected with an intermediary hall and a hall for ritual dance. A large open court that is accessible from the east surrounds the main hall. Lepakshi Temple perhaps houses the largest monolithic structure of Nagalinga in India. Another exquisite statue of Lord Ganesha captures the attention of everyone, especially when people enter the second interior court.

The interiors boast of impressive sculptures in half-relief on the granite pillars. The carvings represent dancers, drummers and divine musicians. Here, you can see Lord Brahma playing drums, celestial nymph Rambha dancing and Lord Shiva engaged in 'Ananda Tandava'. In the intermediary hall, there is a frieze that depicts geese with lotus stalks in their beaks. The flawless carvings adorn the entire temple perpetually, all of them done with the minutest of details.




Sri Ramnavami is the birthday of SriRam and is Celebrated by Hindus all of the world on the ninth day of the Shukla Paksha in Chaitra masam. On the SriRam Navami day cleaning the house, idol or picture of Sri Ram is Put in the puja room.Bananas, Tulsi leaves and usual puja flowers are placed near the Rama. The important puja is performed at noon as it is believed that SriRam was born at noon.

In South India, Ramnavami is people do elaborate puja and traditional fan is distributed along with the ‘Prasadam.’ Food and drinks that cool the body are prepared on the day and is consumed after the fast.
Month | |
Caitra | 30* |
Vaisakha | 31 |
Jyaistha | 31 |
Asadha | 31 |
Sravana | 31 |
Bhadra | 31 |
Asvina | 30 |
Kartika | 30 |
Agrahayana | 30 |
Pausa | 30 |
Magha | 30 |
Phalguna | 30 |




24th March 2010
@ Sri Rama Navami 2010
@ Fifth Snan date for Kumbh Mela 2010
@ Arattu at Thirunakkara Mahadeva Temple, Kottayam
@ Arattu at Thrikkariyoor Mahadeva Temple, Ernakulam
@ Pallavur Shiva Temple Arattu Festival
@ Arattu at Thiruvizha Shiva Temple, Cherthala
@ Mahishasura Mardhini Damanaropanam
25th March 2010
@ Shalivahana Jayanthi
@ Dharmaraja Damanapuja
26th March 2010
@ Ekadashi Vrata
@ Vishnu Dolotsavam
@ Maharshi Damanapuja
27th March 2010
@ Vamana Dwadashi
@ Shani Pradosham (Pradosh)
@ Shani Trayodashi
28th March 2010
@ Arattupuzha Pooram at Arattupuzha Temple, Thrissur
@ Panamkurissi Kavu Pooram
@ Mahaveera Jayanthi
@ Lokanarkavu Temple Arattu Festival 2010
29th March 2010
@ Painkuni Uthram Festival 2010
@ Sabarimala Temple Arattu Festival 2010
@ Chitra Poornima
@ Hanuman Jayanthi in South India
@ Varkala Janardana Swamy Temple Arattu Festival
30th March 2010
@ Hanuman Jayanti Festival or Hanumath Vijayotsavam
@ Festival starts at Ambalapuzha Temple
@ Maha Chaitri or Pathala Vratam
@ Chitragupta Vratam
@ Chaitra Purnima Snan – Important bathing dates for Kumbh Mela Festival 2010
31st March 2010
@ Arattu Festival at Sree Padmanabhaswamy Temple, Thiruvananthapuram
telugu festivals, andhra festivals, pandugalu dates,..
Telugu people are very traditional in celebrating Hindu festivals. Various important Hindu festivals or Telugu pandugalu are celebrated in Andhra Pradesh throughout the year. This article consists of a list of Telugu Festivals celebrated in 2010.and upcoming festivals Hanuman Jayanthi, Mahankali Jathara (Banalu Jatara), Varalakshmi Vratham, Sri Krishna Janmashtami (Gokulashtami), Vinayaka Chavithi, Devi Sharan Navaratri, Bathukamma Panduga, Dasara (VIjaya Dashami), Deepavali (Diwali), Kartika Pournami. so on.
March 24, 2010 – Sri Rama Navami
June 7, 2010 – Hanumaan Jayanthi
July 25, 2010 – Mahankali Jatara ( Bonala Jathara or Mahakali panduga) (Lashkar Bonalu)
July 25, 2010 – Guru Pournima (Vyasa Pournima)
August 14, 2010 – Nagula Panchami
August 20, 2010 – Varalakshmi Vratam
September 1, 2010 – Janmaastami (Krishnaastami) (Gokulashtami)
September 11, 2010 – Vinayaka Chavithi
September 26, 2010 – Undralla Thaddhe
October 8, 2010 – Sharan Navaratri Kalasha sthapana (Devi Navarathri 2010 starts)
October 15, 2010 – Bathukamma Panduga
October 16, 2010 – Aayudha Pooja
October 17, 2010 – Dasara (Vijaya Dashami) (Devi Navarathri 2010 ends)
October 25, 2010 – Atla Thaddhe
November 5, 2010 – Deepaavali (Diwali)
November 9, 2010 – Nagula Chavithi
November 21, 2010 – Kartika Pournami
December 17, 2010 – Mukkoti ekadashi
navarthri,chitra masam,sriramanavami, devotional, temple, good, srirama, devalayalu

Special puja: Sri Sai Ramanavami festival, International Shirdi Sai Consciousness Prachar Centre, Shri Shirdi Sai Mandir, 106/1, Thunganagar, Herohalli, Magadi Main Road, Vishwaneedam Post, 5.15 a.m.
Sree Raama Raama Raamethi Rame Raame Manorame | Sahasra Naama Thatthulyam Raama Naama Varaanane || Aapadaamapa Harthaaram Daatharam Sarva Sampadaam Lokaabhiraamam Sree Raamam Bhuyo Bhuyo Namaamyaham || |

"Wherever four Hindus live, Rama and Sita will be there" so said Swami Vivekananda, one of the foremost harbingers of modern national renaissance of Bharat. The reverse also is equally true - wherever Rama and Sita live, the people there will remain and live as Hindus.
Every hill and rivulet of Bharat bears the imprint of the holy feet of Rama and Sita. Sri Rama reigns supreme to this day in the hearts of our people, cutting across all barriers of province, language, caste or sect. Even the tribes living in isolated valleys and jungles have names like Mitti-Ram and Patthar-Ram. In some other tribes, every name carries the proud suffix of Ram, such as Lutthu Ram, Jagadev Ram, etc. In many northern parts of Bharat mutual greetings take the form of Jay Ramjee Ki.
Sri Rama has become so much identified with all the good and great and virile qualities of heroic manhood that expressions such as 'Us me Ram nahi hai' (there is no Rama in him) - meaning that a person has lost all manliness and worth - have become common usage. And when a Hindu quits the world stage, he is bid God-speed in his onward journey with Ramanama satya hai or Raghupati Raghava raja Ram, patita paavana Sita Ram. In fact, the latter couplet has become the nation's bhajan par excellence.

Sri Rama's story, Ramayana, has been sung and resung in all the languages and dialects of Bharat. The tradition of writing epics centering round the saga of Rama's achievements started by Valmiki in Sanskrit and was continued by Tulsidas in Hindi, by Kamban in Tamil, by Ramanujan in Malayalam, by Krittivasa in Bengali and Madhav Kambali in Assamia and in fact, in almost every Bharatiya language. The tradition is being continued up to the present day. The Ramayana Darshanam of K.V. Puttappa, the national literary award of Bharat by the Jnana Peeth. The enchanting Geet Ramayana composed in Marathi by G.D. Madgulkar and set to tune by Sudhir Phadke is now thrilling the hearts of millions in Maharashtra.
The various tribal groups too have sung the story of Ramayana in their dialects. Sri Rama, Lakshmana and Janaki mirror the ideals for millions of tribal boys and girls. The Khamati tribe in Arunachal Pradesh, which is Buddhist, depicts Ramayana as the story narrated by
The comparison of Sri Rama's fortitude to Himalayas and the grace and grandeur of his personality to the ocean - 'Samudra iva gaambheerye, dhairye cha Himavaan iva' - portrays how inseparably his personality has been blended into the entire national entity of Bharat.